Ultimate Comics Spider-Man Vol. 2: Chameleons

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Ultimate Comics Spider-Man Vol. 2: Chameleons Overviews

Spider-Man and his amazing friends, Iceman and the Human Torch, team up to help the newly powered Rick Jones deal with the crazy changes and responsibilities that come with…power. But what side of the coin is Rick Jones on? Is this the birth of a new hero? Or the birth of an ultimate…enemy? Plus, it’s the return of Spider-Woman! And guess who she totally makes out with in this issue! What? Yeah, you heard me!

COLLECTING:

Ultimate Spider-Man #7-12



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Greatest Joker Stories Ever Told (DC Comics)

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Hellboy, Vol. 8: Darkness Calls

   Brand: Dark Horse Comics

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Hellboy, Vol. 8: Darkness Calls Overviews

Hellboy has finally returned from his adventures at sea, but no sooner has he settled on land than a conclave of witches drags him from his respite and into the heart of Russian folklore, where he becomes the quarry of the powerful and bloodthirsty witch Baba Yaga. Bent on revenge for the eye she had lost to Hellboy, Baba Yaga has enlisted the aid of a deathless warrior who will stop at nothing to destroy Hellboy. Creator Mike Mignola turns over drawing duties to Duncan Fegredo (Enigma, Ultimate Adventures) for a new chapter in the life of the World’s Greatest Paranormal Investigator. Hellboy: Darkness Calls collects the entire six-issue miniseries, along with two new epilogues-one drawn by Mignola, and one by Fegredo-and an extensive sketchbook section from both artists and includes many plot elements from the major motion picture, Hellboy 2: The Golden Army, directed by Academy Award winner, Guillermo del Toro and slated for release in July 2008!


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Alan Moore’s America’s Best Comics

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Jews and American Comics: An Illustrated History of an American Art Form

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Jews and American Comics: An Illustrated History of an American Art Form Feature

  • ISBN13: 9781595583314
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed


Jews and American Comics: An Illustrated History of an American Art Form Overviews

A treasure trove of Jewish comic book art by both acknowledged masters and little-known stars, from Rube Goldberg to Aline Kominsky Crumb.

“Jews built the comic book industry from the ground up, and the influence of Jewish writers, artists, and editors continues to be felt to this day.”MAD magazine writer Arie Kaplan

Readers have long cherished the work of comic masters such as Will Eisner, Jules Feiffer, and Art Spiegelman, all of whom happen to be Jewish. Few, however, are probably aware that the Jewish role in creating the American comic art form is no less significant than the Jewish influence on Hollywood filmmaking. Filled with the most stunning examples of this vital artistic tradition, Jews and American Comics tells us how the “people of the book” became the people of the comic book.

With three brief essays by Paul Buhle, the well-known historian of American Jewish life, Jews and American Comics offers readers a pictorial backstory tracing Jewish involvement in comic art from several little-known strips in Yiddish newspapers of the early twentieth century through the mid-century origins of the modern comic book and finally to contemporary comic art, which has at last found its place in museums, in private collections, and on the bookshelves of both critics and millions of avid readers.

Featuring more than two hundred examples of the work of Jewish comic artists going back a century—much of which has been unavailable to the general public for decades—this extraordinary collection will be a major contribution to Jewish and American cultural history. Jews and American Comics is also a gorgeous package, sure to be treasured by comic art lovers and fans of Jewish culture—and destined to become the bar and bat mitzvah gift of the decade.


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How to Draw Comic Book Heroes and Villains (Christopher Hart Titles)

   Brand: Random House

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How to Draw Comic Book Heroes and Villains (Christopher Hart Titles) Feature

  • ISBN13: 9780823022458
  • Condition: New
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How to Draw Comic Book Heroes and Villains (Christopher Hart Titles) Overviews

Would-be cartoonists can learn how to draw heart-stopping heroes as well as vicious villains with this book featuring tips and artwork by Gray Morrow of Superman, Frank McLaughlin of Batman, and Frank Springer of Spiderman and Conan the Barbarian, among others. Pitfalls and problems that beginning artists are most likely to encounter are demonstrated. 144 illustrations, 72 in color.


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Hitman Vol. 5: Who Dares Wins

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Hitman Vol. 5: Who Dares Wins Feature

  • ISBN13: 9781563897184
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed


Hitman Vol. 5: Who Dares Wins Overviews

When Tommy and Natt roll an 800-pound dead guyacross a burger joint for cover under the blazing guns of SAS agents out for vengeance, you know you’re experiencing another hilariously and sometimes disgustingly weird collection of Garth Ennis and John McCrea’s Hitman. Who Dares Wins, the compilation of issues 23 through 28 of the series, can be a bit hard to swallow at first. After all, the unflappable Monaghan just dealt with a ridiculously well-armed demon from hell (among other things) in Ace of Killers, so why’s he so afraid of some crummy British commandos anyway? But the killer team of Ennis and McCrea still manage a credible drop in tempo here, heavy on the brogue and honor with a team of Her Majesty’s finest out to collect on an old debt. Throw in Mafia don Men’s Room Louie (also out to kill Monaghan–who isn’t these days?), and you have another well-paced, bullet-to-the-head adventure. –Paul Hughes


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Hitman Vol. 5: Who Dares Wins Specifications

When Tommy and Natt roll an 800-pound dead guy across a burger joint for cover under the blazing guns of SAS agents out for vengeance, you know you’re experiencing another hilariously and sometimes disgustingly weird collection of Garth Ennis and John McCrea’s Hitman. Who Dares Wins, the compilation of issues 23 through 28 of the series, can be a bit hard to swallow at first. After all, the unflappable Monaghan just dealt with a ridiculously well-armed demon from hell (among other things) in Ace of Killers, so why’s he so afraid of some crummy British commandos anyway? But the killer team of Ennis and McCrea still manage a credible drop in tempo here, heavy on the brogue and honor with a team of Her Majesty’s finest out to collect on an old debt. Throw in Mafia don Men’s Room Louie (also out to kill Monaghan–who isn’t these days?), and you have another well-paced, bullet-to-the-head adventure. –Paul Hughes

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Halo Fall of Reach Boot Camp #1



Halo Fall of Reach Boot Camp #1 Overviews

Written by BRIAN REEDArt by FELIX RUIZMarvel and 343 Industries are proud to announce Halo: Fall of Reach-Boot Camp #1, the graphic fiction event answering the question on the minds of gamers around the world-what’s the secret on the planet of Reach that led to the creation of the Master Chief?Before he was Master Chief, he was John — a boy stolen from his parents and conscripted into the SPARTAN II program on the fortress world of Reach. But as the galaxy falls into dark times, one doctor must pay a terrible price to keep humanity from being destroyed.What are the secrets of Master Chief’s origin, and what happened on Reach to make it the most important planet in humanity’s struggle for survival? Find out in Halo: Fall of Reach-Boot Camp #1.


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A Christmas Carol: The Graphic Novel

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A Christmas Carol: The Graphic Novel Feature

  • ISBN13: 9781906332518
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A Christmas Carol: The Graphic Novel Overviews

One Christmas Eve, after being particularly cruel to his employee, the miserly Ebenezer Scrooge is visited by the ghost of his dead business partner, Jacob Marley, who tells him that he will be visited by the ghosts of Christmas Past, Present, Future. Each ghost shows him things that rekindle the joy and spirit of Christmas within his heart and awaken his goodwill toward his fellow man. In typical fashion, Dickens deals with social injustice in a way that transcends the 19th century. This illustrated version of the classic holiday tale is brough to life with an illustrated Character List (like a Dramatis Personae), 134 pages of color story artwork, and fascinating support material that details the life and work of Charles Dickens as well as information on Victorian England.


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A Christmas Carol: The Graphic Novel CustomerReview

This is a graphic novel presentation of the classic “A Christmas Carol” by Charles Dickens, in the `original text’ version. Classical Comics has prepared two graphic novel versions of this story, one is a “quick text” version told in modern English intended for a fast-paced read. This book in the “original text” version cuts out some of the words that describe the physical action taking place (as that is shown in the illustrations). It cuts out some of the extraneous descriptions but in a side by side comparison the dialogue and nearly all of the other text is identical to the original book by Dickens.

At the back of the book is wealth of background information on the author including a five page biography and a family tree for Charles Dickens as well as a two page timeline of his life. Two pages about the true history of England and its relevance to the story is provided as well as two more pages on the history of the celebration of Christmas in England including changes in the Victorian Era. Lastly two pages explain the writer’s and artist’s process to transform a book from traditional text to create a graphic novel format telling of the story. These sections are interesting (not boring) and are worthy of reading (not just by school teachers to create lesson plans although they could be used for that). The information about the history of England and Christmas celebrations was insightful to put the fictional story into context.

The illustrations are in full color and the illustrations are of high quality. This reminds me of the high quality, modern superhero graphic novels with the classic shift in perspectives, different sized boxes, and going back and forth from farther back to extreme close-up’s. Regarding the great illustration I note the facial expressions are detailed and well done and the shading of the scenes is well-done such as three shades of green on a shirt and a great job with the glowing lights of candles and gas lamps in dark rooms or outdoor night scenes. The ghost images are also well done.

I have compared this Classical Comics version to a different publishing house’s version of a graphic presentation of a Shakespeare play which had inferior illustrations most notably poor facial illustrations. This publishing house’s graphic presentation of classic books and Shakespeare plays is superior to the other company’s.

The pages are glossy and thick. This is a high quality book in every way.

Again these stories are available in two versions. The version I am reviewing is the original text version which is a longer read in the original book’s language. The other version is a “quick text” version in modern language, simplified for a fast read. To help identify which is which, the “quick text” version has a full color cover and the “original text” version has a black cover with an illustration only in glossy and matte texture. Both covers, at the bottom right, have the words “original text” and “quick text” but the version that the book is, is in orange while the other is blackened out but still legible.

Classical Comics publishes classic books and some plays of Shakespeare. All classic books are in the two formats mentioned above. The Shakespeare plays are available in THREE formats: original text “the unabridged play brought to life in full color”, plain text “the complete play translated into plain English” and quick text “the full play in quick modern English for a fast=paced read.

Due to the high quality product of “A Christmas Carol” I plan to buy other Classical Comics publications including some of the Shakespeare plays.

I think this book (and others by Classic Comics) would be an excellent addition to public libraries and could be an excellent addition to the Young Adult collection.

Regarding use in the classroom: I think that some interesting discussions could be had about how the action of the book in text version translated over to a graphic presentation. An assignment could be worked backwards; taking a page from the graphic book and having the student write it out only in text, using their own words to describe the action and the physical description of the people and places. These graphic presentations of classics especially in “quick text” could be read by elementary grade students, especially those boys who seem consumed by reading anything presented in comic book/graphic book style. To what extent high school teachers would want to use the easier reading versions in the classroom is up to their individual discretion and dependent on the students they are teaching. I won’t enter a debate of whether reading an easier version is `better than nothing’. With that said it would be an interesting lesson to compare the `quick text’ version to the `original text’ version. The modern English Shakespeare plays might be introduced first and then the student introduced to the original language after the initial story is known and understood.

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The Uncanny X-Men #284 : Into the Void (Marvel Comics)



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